Titus Andronicus | Bell ShakespeareMaking a silk purse out of a sow’s ear you need to go the whole hog. Putting this particular pig through a queer prism doesn't bring home the bacon. Its snout is still resolutely in the trough of tedious revenge.

Bell Shakespeare’s production of Titus Andronicus is visually arresting – a striking opening scene that teases and promises – but the story becomes cloudy as a cold front hitting the coast and the dazzle turns to drizzle and fog.

Drenched in Stoicism, this queered view is steeped in cynicism and the vicious cycle of revenge – Tamora avenging Titus, Titus avenging Tamora – unmerrily rolling along lopping off limbs and heads, explicit infanticide, implicit incest, and a cannibal banquet culminating in a not so dainty dish set before a Queen.

Calipered, close cropped and weathered to leather by the scorch of war and sun, Jane Montgomery Griffith plays the titular Andronicus, with bare breasted, breath giving bravura. Melita Jurisic slams Tamora out of the park as the vengeful, conniving Goth. Although the text has been stripped back, she shines her malevolent presence as darkness visible and also audible in her wailing and gnashing. A grotesque burlesque by a stripper clown cavorted by Catherine Van-Davies has a certain shock value, a lewd buck’s night act laced with sick symbolism. Daniel Schlusser presents a Saturninus as an imbecilic droopy drawered despot.

Though written in Elizabethan times, Titus Andronicus feels Jacobean and so it is with some fitting pun irony that this production is directed by Adena Jacobs. She has chosen to pare the play down into a series of episodes, for example, The Forest: A Snuff Movie, separated by interminable blackout, or projections of endoscopy and flesh wounds.

This production of naked tragedy (taken somewhat literally) is a tightrope walk where audacity falters and the balance of the narrative seems out of kilter.

Revenge, they say, is a dish best served cold, but perhaps a pocket full of wry may have helped improve this particular pie.

Bell Shakespeare presents
Titus Andronicus
by William Shakespeare

Director Adena Jacobs

Venue: Playhouse, Sydney Opera House
Dates: 27 August - 27 September 2019
Bookings: www.bellshakespeare.com.au | 1300 305 730

 

 

Most read Sydney reviews

  • Back to the Future: The Musical
    Back to the Future: The Musical
    Back to the Future: The Musical is its own kind of time machine. It straps you into the driver’s seat of the DeLorean and takes you back to when movies were cultural connective tissue.
  • The Edit | Unlikely Productions and Legit Theatre Co.
    The Edit | Unlikely Productions and Legit Theatre Co.
    A serious but simultaneously very funny drama that analyses personal problems in tandem with the social problems that encircle and partly create them.
  • Meow Meow’s The Red Shoes
    Meow Meow’s The Red Shoes
    Initial inertia blazes into an exuberant crazy kamikaze cabaret, a loose rendering and deconstruction of Hans Christian Andersen’s so called fairy tale.
  • I, Julia | Lily Hensby
    I, Julia | Lily Hensby
    Starting off with a fearless rendition of a ferocious monologue from an episode of VEEP, Lily riffs about her admiration and love for Julia Louis-Dreyfus.
  • Present Laughter | New Theatre
    Present Laughter | New Theatre
    Festooned with verbal foliage that has not desiccated over eight decades, Noel Coward’s Present Laughter is a present of much needed laughter leading up to the silly season.

More from this author